I decided to do another render with the Starbase 15 scene, but with different ship and camera positions and different lighting.
I made some new textures for my TOS Enterprise model. When I first built the ship, I didn’t want to do any paneling or weathering on the textures. Well, I’ve changed my stance on that and I’ve done both paneling and weathering. The paneling is subtle, it’s only in the specular channel and I used small variations in shades of gray to make it subtle. The weathering, on the other hand, is more prominent. It’s in both the color and specular maps. I didn’t bother trying to recreate the weathering on the 11-foot model, instead I just did my own thing. I also tweaked my bussard collectors further and finally got them looking how I want them to look. After that was done, I decided to render some images.
I originally planned to do more than two images, but I wound up spending some time converting some of my older models to Lightwave 2018. This basically entails changing from the old style materials to Principled BSDF materials. Principled BSDF works much better with the rendering engine in Lightwave 2018. Unfortunately, when I change the materials, I have to reapply my textures. And, for materials where I didn’t UV unwrap the objects, I have to redo the mapping as well. So, it takes some time, to say the least. But, it was worthwhile as I was able to use my Starbase and Reliant-style ship for the second image.
So, I had this idea to do this image all in one night. Build a ship, make a planet and background and render an image. It went pretty well. The ship took a few hours to do. It’s not necessarily that exciting, but it serves its purpose. The planet took longer than expected. I haven’t made a planet in ages, so it took some time to work some stuff out. Then it took a few hours to render. Anyway, everything was made and rendered in Lightwave 2018. I did some post work in GIMP. but everything else is 100% Lightwave.
A little piece of artwork I did based on the classic TOS episode Elaan of Troyius. Elaan wasn’t necessarily the best episode, nor was it the worst, but it did give one of the best ships ever for Star Trek, the Klingon Battlecruiser. The ship was seen briefly as it chased the Enterprise, firing its disruptors. Thanks to a screwy airing order, the D7 wound up being first seen in The Enterprise Incident, representing a handful of Romulan ships, but in production order it first appeared in this episode. So, this is my take on the chase.
This is my first composition image in a long time, so be gentle. 😛
OK, so I’m getting back into CGI, I haven’t done much in quite some time. I’m also back to Lightwave, since I’m running Windows again. I upgraded to Lightwave 2018 a few months back.
This is something I’ve been playing around with over the past few hours. There’s no design that I’m basing this off of, other than the obvious influences from other Star Trek ships. I’m just kind of building it as I see fit, and I’m not worried about it fitting in with Star Trek canon. The idea is that this is a pre-TOS ship, from sometime in the late 22nd to early 23rd century. It’s not a deep space ship, probably more of a utility ship, with missions similar to the type of things we saw Miranda class and Nebula class ships doing on TNG and DS9. It would do things like transport missions, cargo hauling, survey missions, scientific studies, etc. All within Federation space, so it would probably see long service with the UFP and Starfleet. It’s also not huge, a little over 110 meters long, 75 meters wide and the height is TBD. Anyway, this is what I have so far:
I spent an almost fruitless week dorking around in Blender. My goal was to switch from Lightwave to Blender and from Windows to Linux Mint. Well, that was rendered moot. I tried at first playing around with some tutorials about modeling. Modeling wise, Blender ain’t bad. There are tools I have in LW that I wouldn’t in Blender, but I’d have adapted. Then I dove into Cycles, Blender’s realistic render engine. I can’t express enough how much I love that render engine, for the most part. For people who don’t know, “standard” CGI rendering engines are hampered by unrealistic lighting. In CGI, light travels in one direction and hits an object from that direction. Any face going the other direction isn’t lit. Period. This is in contrast to lighting in the real world. In the real world, if you have an object with a light behind it and other objects in front of it, such as furniture, walls, ceiling, etc, light will bounce off of those objects back at the previous object, lighting the “dark” side. Most CGI software has a solution for calculating this light bouncing. In Blender, it’s part of the Cycles render engine. It calculates the light bouncing to create a more realistically lit object and scene. I imported a few of my Lightwave models into Blender which, for the most part, went well. As long as I triangulated my faces with more than 4 sides in Lightwave and applied the Edge Split modifier after import, most everything looked grand. Cycles has wonderful emission materials. However, I ran into issues with applying textures to my imported models. Again, for people who don’t know, this is how textures are applied. There’s a projection setting that tells the image where to go, how to be oriented and, most importantly, how to be mapped to the object. Most software has various options for this. There are four basic types of mapping: plane, cylinder, sphere and cube. They are what they sound like. Plane puts your map “flat” on a surface, where the others wrap it around in the appropriate shape. Then there’s unwrapping, where the map is put on there based on the object’s geometry. This is the most difficult and problematic method. Cycles, meanwhile, only has unwrapping. There are several options to unwrap the object, but they don’t necessarily work like they do in other software. IE: selecting “cylinder” doesn’t wrap the map around the object in the shape of a cylinder like it should. And, there are pretty much no controls over this stuff like you have in a lot of other programs. And, by the way, that’s not just me talking. I took a screen shot of what I was trying to do and a friend who is very proficient in 3DS Max commented on the lack of control. So, after a few days of spending many hours trying to get one simple map onto a nacelle the way it should work and does work in Lightwave, I got mad and gave up. So, for those people who keep saying I should “give Blender another try,” I did. Until they fix the texture mapping in Cycles, I won’t be using it. For the record, the Blender Internal rendering engine has “normal” texture mapping, but it doesn’t apply to Cycles because the material settings are different.
So, where am I going with all of this? Back to the light bounce thing. As I said, Cycles is wonderful at calculating light bounce. Well, Lightwave is professional software, so it naturally has settings that do this as well. Though, unlike Cycles, it’s an option that can be activated in the standard LW rendering engine, not an entirely separate engine. So, things like texture mapping work exactly the same. It’s called Radiosity, which is a very popular way of simulating light bounce. So, I spent last night messing around with Radiosity in Lightwave. I like it a lot. Truespace also had Radiosity, though I never messed with it and I don’t know why it’s taken me so long to do so in Lightwave.
So, I decided to redo one of my renders with Radiosity enabled. I’m much happier with the results. As you can see, things like the shuttlebay alcove and inboard side of the starboard nacelle on the Scout have a faint light hitting them, which is bouncing off of the hull back at those areas. Areas on the other objects are also lit by the light bouncing, which makes the whole scene look more realistic. Of course, some areas are still very dark, this is due to nothing being there to bounce the rays back. And, for those who are wondering, rendering with Radiosity only took about 5 minutes longer than rendering without, and that was due to the amount of time it took calculating the Radiosity.
So, around 2 AM (when all of the good ideas happen) I got the idea to do an image. Even though I’ve built a lot of ships over the past several months, I haven’t done an image for a while, so I thought it sounded good. I’m talking about a full scene image, WIP images and beauty shots don’t count.
Back when I built this Starbase for a project a few months back, I had the idea that it’s just a station that “hangs” in space. However, since it’s so small, it would need dry docks near by for servicing starships. So, this was the kind of setup I had in mind. In my opinion, Starbases should be hubs of activity. Unfortunately, with the exception of a few effects sequences from DS9, we never got to see a really busy Starbase. So, I decided to do one, since I have plenty of TOS-era ships. The setup took about 45 minutes or so, which included modifying a nebula texture that I made a while back to make it a different color. (that’s right, no prefab backgrounds here, it was all rendered in Lightwave) The render also took about 45 minutes, which isn’t bad considering that the scene consists of over 2.65 million polygons, 104 HD texture maps and 304 lights. (the docks have full interior lighting rigs, the scout has a lighting rig as well, and I have a “sun” and lights to simulate the light coming from the nebula and a couple of fill lights) It’s good that it only took about 45 minutes to render, since I wound up moving a couple things and re-rendering it a few hours ago.
Eventually, I may animate this. I also may do some more images with my TOS scout, since I haven’t done much with it since building it.
I’ve always liked the Mirror Universe in Star Trek. In fact, Mirror, Mirror is my favorite original series episode. I like some of the follow-ups that have been done, especially in the comics and Diane Duane’s TNG novel, Dark Mirror. I don’t really care for what they did on DS9 with the universe, but I really like the 2-part Enterprise episode that takes place solely in the Mirror Universe. I know a lot of people in fandom have done stuff with it. I love the Star Trek Continues episode Fairest of Them All, which is a direct follow-up to Mirror, Mirror that is set entirely in the Mirror Universe.
One of my favorite Mirror Universe stories is the DC comics mini-series known as The Mirror Universe Saga. It’s set in the movie era and directly follows Star Trek III: The Search for Spock. In fact, in the comic storyline, Kirk and his crew stop an invasion of the Federation from the Terran Empire, which allows Kirk to avoid a court martial for his actions in ST3, keep his rank and get command of the U.S.S. Excelsior. Of course, none of that sits well with Cpt. Stiles, the current captain of the Excelsior. (from ST3) Anyway, it was a fantastic story line that was, of course, retconned after the events of Star Trek IV: The Voyage Home. That’s one thing I never liked about the DC story line, they kept up with the movies but also kept making comics between the movies. So, they had to recon most of their “in between” story lines due to conflicts with the movies, of which they did many of the comic adaptations. (Marvel did TMP and there was no ST2 adaptation, since nobody had a comic license at that time)
Anyway, a lot of people like to do the TOS version of the I.S.S. Enterprise. One thing I don’t like about CBS Digital is that they had the opportunity to add Terran Empire logos to their CGI model for that episode, but they never did. A lot of people who build their own I.S.S. Enterprise models do, though. Some even go as far as to add the wing-like yellow markings from the Ent episodes, but I don’t personally like that look on the Constitution-class. So, you see a lot of TOS versions of the ship, but not TMP versions. So, since I love that comics series, I decided to do a TMP version of the I.S.S. Enterprise by modifying my TMP Connie model.
Like CBS Digital would later do, DC didn’t really change the ship much for the comics. It basically looked like the “Prime Universe” version, but with “I.S.S.” instead of “U.S.S.” on its hull. Well, I don’t see it that way. So, I did a total color change of the ship with some new textures. For one thing, I think the pearl white and duck egg blue and other “soft” colors didn’t quite feel right for a militaristic Empire. So, instead, I went with a darker, more militaristic theme. I went with a light slate gray for the hull, with dark slate blue and midnight blue highlights. I also changed a lot of the glow colors to alternatives to what the Prime Universe has, just for fun. And, of course, I added Terran Empire emblems and markings to the ship.